Tag Archive: Fall Out Boy


So I was playing Asphalt 8: Airborne, a fairly fun if grindy racing game, and suddenly this popped up on my screen.

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Is the title *supposed* to look that weird?

Asphalt 8 meets Fall Out Boy, meant to advertise their newest album? Now that’s a crossover I wasn’t expecting to see.

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Like this car? It’s cool, huh?

Admittedly, I don’t listen to a lot of Fall Out Boy. I know a few of their songs, but I always kept confusing them with My Chemical Romance and similar “emo rock” bands that permeated the landscape in the mid-2000s. From the songs I have heard from them, they seem to be an passably entertaining rock band, and I’m surprised they’re still going in 2018.

You’re probably wondering why this crossover exists. They’re a pop-rock band that hasn’t really mentioned being big racing game fans, so it seems like an ill fit, right? Well, Vivendi, the French mega-conglomerate, owns Island Records, which is Fall Out Boy’s label; as well as Gameloft, the developer behind Asphalt 8. So while it’s not completely random like, oh say, KISS Psycho Circus, it certainly doesn’t feel like a natural crossover.

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The event goes like this: You join a new racing league, the Fall Out Boy World Tour. In it, you must build enough hype to impress the staff and members of the band to win the championship and earn a brand new car, the BMW M2 “Special Edition,” which differs from the standard BMW M2 in game by having rear spoilers and a cool paint job. You’re given a whole week in real time to do this.

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This nerd deserves a swirly.

However, the fight will be tough as you’ll be facing stiff competition, including one from the “ultimate Fall Out Boy fan,” Adam Knowles. He’ll taunt you throughout, saying he has the best tuned-up vehicle and that you’ll never beat him. As you complete challenges and gain fans, you’ll eventually have to defeat multiple AI in head-to-head races to win the championship and the BMW M2.

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Some of the challenges get pretty tough as time goes on.

So how does this work? You gain fans by completing challenges in each race. Most of them are fairly simple challenges – beat the race in the target time, get first place, knockdown more cars than your opponent – others more difficult, such as requiring you to do 6 flat spins off a ramp or drift for 4,000 yards. Successfully pull off the challenge and you’ll earn fan points and build up hype. Hype increases the amount of fan points starting at 1 times the value, to 1.5 times the value, all the way up to 3x the normal value. Every normal race is 200 points, whereas the championship racers increase drastically in value as the story progresses.

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Guess this race was… DEAD! ON! ARRIVAL!

However, failure will kill fan hype, give fewer points, and end the streak. You can try again but you’ll be starting back at a 1x multiplier; or you can buy out and keep the streak at a fairly costly number of tokens, the game’s premium currency.

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Streaming passes, fans, hype… Sounds confusing, doesn’t it?

Oh, and you need “streaming passes” to broadcast these events (i.e.: race). You’re given three to start, a new one is given to you every 2 ½ hours if you have used one already, though you could buy extra passes with tokens if you were super-impatient.

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Lookat all the pretty boxes

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I write about a lot of random junk here. Such as writing about about having a strange collection of video game related albums in the past. Sometimes just simple soundtracks of games, other times stuff like the soundtrack of the the first Tomb Raider film, or even a set of songs featuring the cast of the Where in the World is Carmen Sandiego? game show. I thought I’d grab one of these and give a fairly quick review to wrap up 2017.

So let’s look at the soundtrack album to the the once-yearly skateboarding franchise: Tony Hawk’s American Wasteland. Or as the spine calls it, “TONY HAWK’S AMERICAN WASTLAND.”

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An album cover homage nobody asked for.

This is the second (and final) soundtrack album for a Tony Hawk game. The first being a “music from and inspired by” album for Tony Hawk’s Pro Skater 3, which had weird choices like Outkast, Papa Roach, and Drowning Pool, while omitting stuff like Motorhead’s “Ace of Spades.”

This is only a small portion of the 60+ (!) tracks in the entire game, and the 14 songs featured are all covers of songs by punk artists of the ’70s and ’80s like Suicidal Tendencies, Misfits, The Stooges, even Black Flag. So this is a hell of a lot better than the last Tony Hawk soundtrack album.

Here’s the track listing:

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Did you think I was kidding with the typo on the spine?

Some of these are bands I’m familiar with thanks to their appearances in Rock Band or Guitar Hero — My Chemical Romance, Dropkick Murphys, Fall Out Boy, Rise Against — but the rest are fairly unknown (to me) pop-rock, post-punk or emo-rock bands that came and went. A fair share of these bands were modestly popular for the era, but my music knowledge post-1990 is like swiss cheese: lots of gaping holes.

I will admit that some of the covers, like Fall Out Boy’s cover of Gorilla Biscuits’ “Start Today” has that particular sound of the band, but for others like Dropkick Murphys’ “Who is Who” cover really threw me for a loop, especially for a guy like me who’s only familiar with “I’m Shipping Up to Boston.”

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