So this past weekend, I went to the Portland Retro Gaming Expo. It’s my fourth time to the con, and I remember when it was wedged into a small conference area in the DoubleTree Hilton near Lloyd Center to it’s current home at the Oregon Convention Center.
Last year I had recorded video footage from the event, but didn’t use any of it and didn’t write anything about it. This year, I promised myself I’d actually blog about it this time. Especially since the people that run the Expo actually linked to my entry from 2012, where I had gotten a bunch of stuff, talked to “Gamesmaster” Howard Phillips, and had David Crane sign a copy of Pitfall I found at the same expo. I have to thank the expo for even giving my podunk blog a few extra views every now and then. 🙂
This is more of a “what I saw” post. I didn’t spend much at the con itself, but I did find a bunch of really, really interesting gaming stuff. Join me as we look at some of the things these vendors had to offer.
I am not a fan of Kiss. I only know a few of their songs, mostly because they appeared in Rock Band. I watched that Behind the Music episode they did once, at least. Besides that, all I know about them is they want to Rock and Roll All Nite and have a wonderful time, they made a bizarre ’70s live-action special, and then there was that period in the ’80s where they took off the makeup and were like every other hair metal band of the era. They have a couple good songs, at least.
Naturally, with how popular Kiss was, along with Gene Simmons’ shrewd business tactics, there has to be a video game about them. Enter Kiss Psycho Circus: The Nightmare Child.
Kiss Psycho Circus: The Nightmare Child is a video game adaption of the Psycho Circus comic book series by Image Comics and Todd MacFarlane Productions. The comic involved the band members becoming supernatural beings and saving the universe as part of the Four-Who-Are-One (I wish I was making that up). The video game borrows elements from the comic, but has a wholly different story.
Instead of playing as the band members, you play as members of a Kiss tribute band, who get teleported to a special world ran by this gypsy named Madame Raven. She tells you about this big bad called “The Nightmare Child,” and your band are the chosen ones to stop them. Separated by the Hall of Mirrors, each band member goes through each world as they grab each of the six pieces that form the respective Elder.
After writing that paragraph, most of which I consulted the manual to understand this bizarre-ass story, I can say with authority that this story is so god damn ridiculous that it’s not worth knowing. Then again, with this being co-opted by a band known for wearing silly outfits and the guy who created freakin’ Spawn, I’m not expecting Half-Life levels of storytelling here.
This game was developed by Third Law Interactive, founded by one of the original members of the Daikatana development team, so already we’re off to a shaky start. They didn’t do a whole lot of notable stuff, my brief search found out they worked on an Aliens vs. Predator 2 expansion and added stuff to the Game of the Year edition of No One Lives Forever. So we’re looking at a small studio with not much notability, which is worrying.